Kat was part of…
Tobias is part of…
Julia is part of…
Toben is part of…
Jorge is part of…
Nien Tzu is part of…
Maria Heine
Paul Prudence
Britt Wray
Sarah Friend
Theresa Schubert
Chris Adams
Ingrid Burrington
Florencia is part of…
Shunsuke is part of…
Elise Misao Hunchuck
Disnovation.org
Holly Jean Buck
Andrea Eberlein
Jakob Engel
Takuma Nakata
Grace Boyle
Nell Whitley
Mileece I’ Anson
Caroline Sinders
Johannes Helberger
Vladan Joler
JK believes in collaborative processes and their potential to be a source of healing and meaningfulness. Their creative process is informed by a somatic understanding, recognizing the body as a primary source of knowledge. JK is passionate about martial arts, actively training and fighting in Muay Thai and K1.
Christine Mayerhofer
She has performed and exhibited locally and internationally in theaters, galleries and on outdoor living land and received her latest research residences as an “embodied scientist” at the Botanical Garden of the University of Zurich, Switzerland (2019) and at Wave Hill, Bronx, NY (2020). She holds an MFA in Creative Practice from Transart Institute/Plymouth University UK and is a Swiss Canton Solothurn Dance Prize recipient. In 2017, seeking to expand her art-activist approach with spontaneous urban plants (aka weeds), she co-founded the art collective Environmental Performance Agency (EPA), whose primary goal is to shift thinking around the terms environment, performance, and agency.
The Environmental Performance Agency (EPA) is an artist collective founded in 2017 and named in response to the ongoing rollback of Federal environmental policy at the US Environmental Protection Agency. Appropriating the acronym EPA, the collective’s primary goal is to shift thinking around the terms environment, performance, and agency – using artistic, social, and embodied / kinesthetic practices to advocate for the agency of all living performers co-creating our environment, specifically through the lens of spontaneous urban plants, native or migrant. Current EPA Agents include Catherine Grau, an artist and Public Programs Coordinator at the Queens Museum, andrea haenggi, an artist/choreographer and faculty at the Laban/Bartenieff Institute of Movement Studies, Ellie Irons, an artist and PhD Candidate at RPI, Christopher Kennedy, an artist and Assistant Director at the Urban Systems Lab at the New School University, and spontaneous urban plants.
Artemisia vulgaris
Completing a Masters from MIT Media Lab (Design Fiction research group), their work has exhibited internationally including Philadelphia Museum of Art (US), Science Gallery London (UK), Migros Museum of Contemporary Art (CH), Haus der Kulturen der Welt (DE), Jeu de Paume (FR), MOCA Tuscon (US), Haus der elektronischen Kunst (CH), Institute of Contemporary Arts London (UK), Art Laboratory Berlin (DE), Jogja National Museum (ID), and Spring Workshop (HK). In 2017, their project “Open Source Estrogen” was awarded Honorary Mention at Prix Ars Electronica Hybrid Arts, and in 2019 Maggic completed a 10-month Fulbright residency in Yogyakarta, Indonesia investigating the role of Javanese mysticism in the plastic pollution crisis. Maggic is a current member of the online network Hackteria: Open Source Biological Art and the laboratory theater collective Aliens in Green, as well as a recent contributor to the radical syllabus project Pirate Care.
Her work has been part of recent exhibitions on environmental art and activism, including The Department of Human and Natural Services at NURTUREArt, Ecological Consciousness: Artist as Instigator at Wave Hill, and Unsettled Nature: Artists Reflect on the Age of Humans at the Smithsonian Museum of Natural History. Her work has been covered by publications ranging from Art in America to the Proceedings of the National Academy of Sciences.
The Environmental Performance Agency (EPA) is an artist collective founded in 2017 and named in response to the ongoing rollback of Federal environmental policy at the US Environmental Protection Agency. Appropriating the acronym EPA, the collective’s primary goal is to shift thinking around the terms environment, performance, and agency – using artistic, social, and embodied / kinesthetic practices to advocate for the agency of all living performers co-creating our environment, specifically through the lens of spontaneous urban plants, native or migrant. Current EPA Agents include Catherine Grau, an artist and Public Programs Coordinator at the Queens Museum, andrea haenggi, an artist/choreographer and faculty at the Laban/Bartenieff Institute of Movement Studies, Ellie Irons, an artist and PhD Candidate at RPI, Christopher Kennedy, an artist and Assistant Director at the Urban Systems Lab at the New School University, and spontaneous urban plants.
He is the assistant director at the Urban Systems Lab, The New School, a lecturer in the Parsons School of Design, and co-founder of the Environmental Performance Agency. Kennedy has worked collaboratively on projects shown at the Philadelphia Academy of Fine Arts, the North Carolina Museum of Art, the Southeastern Center for Contemporary Art, the Levine Museum of the New South, Hudson Valley Center for Contemporary Art, the Ackland Art Museum and the Queens Museum.
The Environmental Performance Agency (EPA) is an artist collective founded in 2017 and named in response to the ongoing rollback of Federal environmental policy at the US Environmental Protection Agency. Appropriating the acronym EPA, the collective’s primary goal is to shift thinking around the terms environment, performance, and agency – using artistic, social, and embodied / kinesthetic practices to advocate for the agency of all living performers co-creating our environment, specifically through the lens of spontaneous urban plants, native or migrant. Current EPA Agents include Catherine Grau, an artist and Public Programs Coordinator at the Queens Museum, andrea haenggi, an artist/choreographer and faculty at the Laban/Bartenieff Institute of Movement Studies, Ellie Irons, an artist and PhD Candidate at RPI, Christopher Kennedy, an artist and Assistant Director at the Urban Systems Lab at the New School University, and spontaneous urban plants.
Constantine Nisidis
Mária Júdová
Diana Serbanescu
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Marie-Juliette Leissner
Rainer Killinger
Johannes Grübl
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He has collaborated, among others, with Martin Nachbar, Manon Santkin, Maria F. Scaroni, Vladimir Miller, Ellen Blumenstein, geheimagentur, SARMA and Plateau Hamburg. He has been teaching at a.pass – advanced performance and scenography studies in Brussels and at the MA program Performance Studies at the University of Hamburg. Publications include academic articles, self-published artist books and newspaper reports.
Most recently, Moritz presented his work ‘The Great Report’ at Kampnagel, Hamburg in January 2020. Based on the hypothesis that logistics is a form of choreography, the project unfolds how extended supply networks and the many movements they administer and control connect a Western public to far-away places and ecosystems, while constantly externalizing costs and reproducing neo-colonial structures of exploitation. The project was presented as a lecture performance and at GreenHouse NAXOS during NODE20.