Akten received the Prix Ars Electronic Golden Nica in 2013 for his collaboration with Quayola, ‘Forms’. Past exhibitions and performances include the Victoria & Albert Museum, London; Royal Opera House, London; Garage Center for Contemporary Culture, Moscow; La Gaîté lyrique, Paris; Holon Design Museum, Israel and the EYE Film Institute, Amsterdam. His work has also been featured in books, academic papers, magazines and websites such as Wallpaper*, Dazed, Eye magazine, Guardian, BBC, Financial Times, Wired and Dezeen.

 

 

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Kyle enjoys creatively subverting networked communication and computation, exploring glitch and embedded biases, and extending these concepts to reversal of everything from personal identity to work habits.

He is an adjunct professor at NYU’s ITP, and was formerly a member of F.A.T. Lab, community manager for openFrameworks, and artist in residence at STUDIO for Creative Inquiry at Carnegie Mellon, as well as YCAM in Japan.

His work is commissioned by and shown at exhibitions and festivals around the world, including: Ars Electronica, Sonar/OFFF, Eyebeam,Anyang Public Art Project, Cinekid, CLICK Festival, NODE Festival, FITC, and many others.

He frequently leads workshops exploring computer vision and interaction.

 
 

The members Juliane Götz, Sebastian Neitsch and formerly Jan Bernstein (until 2016), have won several awards and scholarships for their artistic practice, including recognition by the Prix Ars Electronica in 2015 and 2018, scholarships from the Kunstfonds Bonn, Akademie Schloss Solitude and LaBecque, as well as a fellowship from PODIUM Esslingen and the Hertz-lab of the ZKM Karlsruhe (Centre of Art and Media). Their works are shown around the world in various festivals and exhibitions.

 
 

Towards this goal, Elliot co-founded Kimchi and Chips, an experimental art / design / technology studio based in Seoul. He is known for transforming a tree into an addressable array of voxels and for throwing augmented fireballs.

He is a curator of the ScreenLab Residency and ScreenLab Conference programmes, which develop digital media arts practice, and encourage the dialogue between digital and contemporary art cultures. He applies his academic background in physics to produce sense-able interfaces with abstract systems, whilst applying a methodical approach to artistic enquiry. Elliot is a contributor to the openFrameworks project (a ubiquitous toolkit for creative coding), and an open source contributor to the vvvv platform. His code is available open source and for free on GitHub

 
 

Interview with the artists at NODE15

 

 

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is work has been exhibited internationally in gallerys and museums, such as the Moscow Biennale, the Art Cologne or the Frankfurter Kunstverein. From 2008 to 2013 Eno Henze curated the exhibtions and symposiums of the NODE Forum.

For choreographer David Dawson he created stage designs for the Dutch National Ballet, the Royal Ballet of England and the Semperoper Ballet. Currently Henze is enlarging upon his scientific research with partners at CERN. His creative direction has gained international awards including D&ADs Black Pencil and ADC Gold.

 
 

Woeishi was part of…