Alla’s feminist gaze focuses on our shared visions of the future, the emancipatory potentials of digital technology, and narratives for the future of humanity. Alla formally works at the intersection of digital technology, performance and music, developing interactive digital formats and live experiences in VR, AR, XR and web.

 

Alla is part of:


 

Muriel is part of…

 
25 Sep 2020

GreenHouse NAXOS

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Choreographic Coding Lab Online

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Daniel is part of…

 
25 Sep 2020

GreenHouse NAXOS

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Choreographic Coding Lab Online

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Yuki is part of…

 
25 Sep 2020

GreenHouse NAXOS

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Choreographic Coding Lab Online

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Olivia is part of…

 
25 Sep 2020

GreenHouse NAXOS

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Choreographic Coding Lab Online

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Antye is part of…

 

NODE20 Second Nature

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25 Sep 2020

GreenHouse NAXOS

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Extinction Room

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Sergiu is part of…

 

NODE20 Second Nature

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25 Sep 2020

GreenHouse NAXOS

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Extinction Room

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Annie is part of…

 
25 Sep 2020

GreenHouse NAXOS

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Choreographic Coding Lab Online

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Yasushi is part of…

 

Choreographic Coding Lab Online

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25 Sep 2020

GreenHouse NAXOS

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Taru is part of…

 

Choreographic Coding Lab Online

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25 Sep 2020

GreenHouse NAXOS

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JK believes in collaborative processes and their potential to be a source of healing and meaningfulness. Their creative process is informed by a somatic understanding, recognizing the body as a primary source of knowledge. JK is passionate about martial arts, actively training and fighting in Muay Thai and K1.

www.virtuellestheater.net

 
 

She has performed and exhibited locally and internationally in theaters, galleries and on outdoor living land and received her latest research residences as an “embodied scientist”  at the Botanical Garden of the University of Zurich, Switzerland (2019) and at Wave Hill, Bronx, NY (2020). She holds an MFA in Creative Practice from Transart Institute/Plymouth University UK and is a Swiss Canton Solothurn Dance Prize recipient. In 2017, seeking to expand her art-activist approach with spontaneous urban plants (aka weeds), she co-founded the art collective Environmental Performance Agency (EPA), whose primary goal is to shift thinking around the terms environment, performance, and agency.

 

The Environmental Performance Agency (EPA) is an artist collective founded in 2017 and named in response to the ongoing rollback of Federal environmental policy at the US Environmental Protection Agency. Appropriating the acronym EPA, the collective’s primary goal is to shift thinking around the terms environment, performance, and agency – using artistic, social, and embodied / kinesthetic practices to advocate for the agency of all living performers co-creating our environment, specifically through the lens of spontaneous urban plants, native or migrant. Current EPA Agents include Catherine Grau, an artist and Public Programs Coordinator at the Queens Museum, andrea haenggi, an artist/choreographer and faculty at the Laban/Bartenieff Institute of Movement Studies, Ellie Irons, an artist and PhD Candidate at RPI, Christopher Kennedy, an artist and Assistant Director at the Urban Systems Lab at the New School University, and spontaneous urban plants.

 
 

Completing a Masters from MIT Media Lab (Design Fiction research group), their work has exhibited internationally including Philadelphia Museum of Art (US), Science Gallery London (UK), Migros Museum of Contemporary Art (CH), Haus der Kulturen der Welt (DE), Jeu de Paume (FR), MOCA Tuscon (US), Haus der elektronischen Kunst (CH), Institute of Contemporary Arts London (UK),  Art Laboratory Berlin (DE), Jogja National Museum (ID), and Spring Workshop (HK). In 2017, their project “Open Source Estrogen” was awarded Honorary Mention at Prix Ars Electronica Hybrid Arts, and in 2019 Maggic completed a 10-month Fulbright residency in Yogyakarta, Indonesia investigating the role of Javanese mysticism in the plastic pollution crisis. Maggic is a current member of the online network Hackteria: Open Source Biological Art and the laboratory theater collective Aliens in Green, as well as a recent contributor to the radical syllabus project Pirate Care.

 
 

Her work has been part of recent exhibitions on environmental art and activism, including The Department of Human and Natural Services at NURTUREArt, Ecological Consciousness: Artist as Instigator at Wave Hill, and Unsettled Nature: Artists Reflect on the Age of Humans at the Smithsonian Museum of Natural History. Her work has been covered by publications ranging from Art in America to the Proceedings of the National Academy of Sciences.

 

The Environmental Performance Agency (EPA) is an artist collective founded in 2017 and named in response to the ongoing rollback of Federal environmental policy at the US Environmental Protection Agency. Appropriating the acronym EPA, the collective’s primary goal is to shift thinking around the terms environment, performance, and agency – using artistic, social, and embodied / kinesthetic practices to advocate for the agency of all living performers co-creating our environment, specifically through the lens of spontaneous urban plants, native or migrant. Current EPA Agents include Catherine Grau, an artist and Public Programs Coordinator at the Queens Museum, andrea haenggi, an artist/choreographer and faculty at the Laban/Bartenieff Institute of Movement Studies, Ellie Irons, an artist and PhD Candidate at RPI, Christopher Kennedy, an artist and Assistant Director at the Urban Systems Lab at the New School University, and spontaneous urban plants.

 
 

Environmental Performance Agency

 
 

He is the assistant director at the Urban Systems Lab, The New School, a lecturer in the Parsons School of Design, and co-founder of the Environmental Performance Agency. Kennedy has worked collaboratively on projects shown at the Philadelphia Academy of Fine Arts, the North Carolina Museum of Art, the Southeastern Center for Contemporary Art, the Levine Museum of the New South, Hudson Valley Center for Contemporary Art, the Ackland Art Museum and the Queens Museum.

 

The Environmental Performance Agency (EPA) is an artist collective founded in 2017 and named in response to the ongoing rollback of Federal environmental policy at the US Environmental Protection Agency. Appropriating the acronym EPA, the collective’s primary goal is to shift thinking around the terms environment, performance, and agency – using artistic, social, and embodied / kinesthetic practices to advocate for the agency of all living performers co-creating our environment, specifically through the lens of spontaneous urban plants, native or migrant. Current EPA Agents include Catherine Grau, an artist and Public Programs Coordinator at the Queens Museum, andrea haenggi, an artist/choreographer and faculty at the Laban/Bartenieff Institute of Movement Studies, Ellie Irons, an artist and PhD Candidate at RPI, Christopher Kennedy, an artist and Assistant Director at the Urban Systems Lab at the New School University, and spontaneous urban plants.

 
 

Environmental Performance Agency

 

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Her work has been shown internationally, amongst others, at Futurium Museum Berlin (GER), the 26th Biennial of Design Ljubljana (SLO), Crosstalk International Video Art Festival (HU), the Venice Biennial of Architecture (IT), and USC Cinematic Arts (USA).

Anna holds a Master of Arts in Design Interactions from the Royal College of Art London as well as a Diploma in Communication Design from the University of Applied Sciences Augsburg. In 2019 she was a researcher as part of the New Normal think tank at Strelka Institute Moscow and is currently a lecturer in Interaction Design at Folkwang University of the Arts Essen.

 

 

LAb[au] is part of…