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About the artist trio performing at NODE+CODE #9:

Amelie Hinrichsen is a Research Associate in the Einstein research project 3DMIN (Design, Development and Dissemination of New Musical Instruments) at the Berlin University of the Arts. After accomplishing an apprenticeship as a carpenter she completed her studies in Product Design at the Berlin University of the Arts in 2012. With her final project she won the DMY Young Talents Jury Award in 2013. After working as a freelancer for Friedrich von Borries she joined the 3dmin Team in 2013. Amelies work ranges from film over product- to interface design. It reflects her interest in combining theoretical research with a practical approach, always physicalness and personal experience in focus. Currently she is working on her dissertation dealing with “Attitude and Posture – Performing Life with electronic musical instruments”.

Dominik Hildebrand Marques Lopes has a degree in audio and video engineering from the Institute for Music and Media Düsseldorf. Furthermore he studied Arts and Media at the University of the Arts (UdK) Berlin, focusing on multichannel sound installations, improvised electronic music, building kinetic/cybernetic (sound-)objects, musical recording, and live-coding. He also holds a “Meisterschüler” (distinguished graduate) degree in Arts and Media. Currently he is working as a Research Associate in the Einstein research project 3DMIN (Design, Development and Dissemination of New Musical Instruments) at the Berlin University of the Arts. He is also lecturer at University of the Arts Bremen (Digital Media).As a computer musician, his main focus is on developing and performing with physical musical interfaces whose constraints and functionality are chosen to exhibit unique behaviour (or life of their own) arguably equally rich as many acoustic instruments. This approach leads to very direct bodily control of computational processes which hopefully can also be experienced as such by the audience. Dominik is a member of “Trio Brachiale”, “Republic111”, and the “Society for Nontrivial Pursuits”.

Since the beginning of 2014, Till Bovermann is a post-doctoral researcher at 3DMIN (Design, Development and Dissemination of New Musical Instruments), an Einstein research project between the Berlin University of the Arts and the Technical University Berlin. From 2010 to 2013, he worked as a post-doctoral researcher on tangible and auditory interaction at Media Lab Helsinki, School of Art, Design and Architecture, Aalto University, Helsinki, Finland. He completed his PhD in Computer science in the natural sciences on Tangible Auditory Interfaces at the Ambient Inteligence Group of Bielefeld University, Germany. Till taught at various international institutions, among others the Institute For Music And Media of the University of Music, Duesseldorf; the Department of Media of Aalto University, Finland, and the Institute for Time-based media, UdK Berlin. His art works are mostly concerned with the relations of art and science, noise and harmony, nature and artificiality. Alongside his academic and artistic work, he also develops software in and for SuperCollider.

 
 

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His work has been shown internationally in places as the Centre Pompidou in Paris, the New Museum in New York, the ICA London, NIMK, de Appel, W139, MassMOCA, UMOCA, and the Stedelijk Museum in the Netherlands. In 2010, Constant Dullaart has been artist in resident of Transforming Freedom in the Museums Quartier, Vienna. One of the results was the first Public Interfacial Gesture Salon in Austria where new media artworks are uploaded online and premiered in a personal atmosphere.

 
 

Kate Sicchio has had extensive teaching experience within higher education. She has taught interactive technologies, choreography and many subjects in between to both undergraduate and masters level students. She has worked in the UK, Malta, Germany as well as the US. She was previously Senior Lecturer at University of Lincoln, Lincoln UK. She is currently a Visiting Assistant Professor in Integrated Digital Media at New York University.

 
 

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His projects and the occasional paper have been presented at many museums, international electronic-art events and conferences, including the Tate Modern, Transmediale, Ars Electronica and the Japan Media Arts Festival. His work has received several awards, most notably a Golden Nica at Prix Ars Electronica 2011 for the project Newstweek.

 

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Using various art forms, from mixed and moving media to literature and soundscapes to classic portraiture, he creates works of hallucinatory poetry that reach into the infinite depths of the subconscious where the real and the imaginary interact. Lillemon has exhibited internationally as Oculart, including being the Invite d’Honneur at the Centre Pompidou, was a founding member of studio Champagne Valentine, and is currently an artist in residence at Random, Amsterdam, Netherlands.

 
 

From 2000 to 2007 he was the Artistic Director of transmediale – festival for art and digital culture Berlin, and from 2005 to 2007, one of three artistic directors of TESLA – Laboratory for Arts and Media in Berlin.

From 1995 to 2000, he worked as a project manager at V2_Organisation Rotterdam, Institute for the Unstable Media. Indepently curated exhibitions include projects at Van Abbemuseum Eindhoven (‘Dick Verdult – and on Sundays we celebrate Friday’), FACT Liverpool (‘MyWar – Participation in an Age of Conflict’, 2010), Hartware Dortmund (‘TRUST’, 2010), Stedelijk Museum Amsterdam (‘Deep Screen – Art in Digital Culture’, 2008), Media Art Biennal Seoul (‘media_city_seoul’, 2008), Skuc Gallery in Ljubljana (‘KRcF – Room for Manoeuvre’, 2006), at TENT/Witte de With in Rotterdam (‘Tracer / Neuralgic’, 2004), and with Kontejner / MaMa in Zagreb (‘Runtime Art’, 2004).

Broeckmann studied art history, sociology, and media studies in Germany and Britain. He holds a PhD in Art History from the University of East Anglia, Norwich/UK. He is a co-founder of Les Jardins des Pilotes, and is a member of the Berlin-based media association mikro. He co-maintains the Spectre mailing list and initiated the Syndicate mailing list. In university courses, curatorial projects, and lectures he deals with art, technology, digital culture, and an aesthetics of the machinic. He is currently working on a study about 20th century machine art.

 
 

Akten received the Prix Ars Electronic Golden Nica in 2013 for his collaboration with Quayola, ‘Forms’. Past exhibitions and performances include the Victoria & Albert Museum, London; Royal Opera House, London; Garage Center for Contemporary Culture, Moscow; La Gaîté lyrique, Paris; Holon Design Museum, Israel and the EYE Film Institute, Amsterdam. His work has also been featured in books, academic papers, magazines and websites such as Wallpaper*, Dazed, Eye magazine, Guardian, BBC, Financial Times, Wired and Dezeen.

 
 

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Massimo started the first FabLab in Italy which led to the creation of Officine Arduino, a FabLab/Makerspace based in Torino.

He spent 4 years at the Interaction Design Institue Ivrea as Associate Professor. Massimo has taught workshops and has been a guest speaker at institutions allover the world.

Before joining IDII he was CTO for the Seat Ventures incubator. He spent many years working as a software architect,both in Milan and London, on projects for clients like Italia Online, Sapient, Labour Party, BT, MCI WorldCom, SmithKlineBeecham, Storagetek, BSkyB and boo.com.

Massimo is also the author of “Getting Started with Arduino” published by O’Reilly. He is a regular contributor to the italian edition of Wired Magazine and Che Futuro, an online magazine about innovation.

He currently teaches Interaction Design at SUPSI Lugano in the south of Switzerland and is a visiting professor at CIID in Copenhagen.

 
 

Kyle enjoys creatively subverting networked communication and computation, exploring glitch and embedded biases, and extending these concepts to reversal of everything from personal identity to work habits.

He is an adjunct professor at NYU’s ITP, and was formerly a member of F.A.T. Lab, community manager for openFrameworks, and artist in residence at STUDIO for Creative Inquiry at Carnegie Mellon, as well as YCAM in Japan.

His work is commissioned by and shown at exhibitions and festivals around the world, including: Ars Electronica, Sonar/OFFF, Eyebeam,Anyang Public Art Project, Cinekid, CLICK Festival, NODE Festival, FITC, and many others.

He frequently leads workshops exploring computer vision and interaction.

 
 

The members Juliane Götz, Sebastian Neitsch and formerly Jan Bernstein (until 2016), have won several awards and scholarships for their artistic practice, including recognition by the Prix Ars Electronica in 2015 and 2018, scholarships from the Kunstfonds Bonn, Akademie Schloss Solitude and LaBecque, as well as a fellowship from PODIUM Esslingen and the Hertz-lab of the ZKM Karlsruhe (Centre of Art and Media). Their works are shown around the world in various festivals and exhibitions.

 
 

Towards this goal, Elliot co-founded Kimchi and Chips, an experimental art / design / technology studio based in Seoul. He is known for transforming a tree into an addressable array of voxels and for throwing augmented fireballs.

He is a curator of the ScreenLab Residency and ScreenLab Conference programmes, which develop digital media arts practice, and encourage the dialogue between digital and contemporary art cultures. He applies his academic background in physics to produce sense-able interfaces with abstract systems, whilst applying a methodical approach to artistic enquiry. Elliot is a contributor to the openFrameworks project (a ubiquitous toolkit for creative coding), and an open source contributor to the vvvv platform. His code is available open source and for free on GitHub

 
 

He received his doctoral degree from the Aesthetics + Computation Group at the MIT Media Laboratory, where his research focused on combining fields such as computer science, statistics, graphic design, and data visualization as a means for understanding information.

Ben Fry is principal of Fathom, a design and software consultancy located in Boston.

 
 

Francois Wunschel is a french visual artist based in Paris (FR).
He is the co-founder of 1024 Architecture, an artistic studio that seeks to present unique light performances and installations
that blurs the boundaries between space and media. Architect producing video performances or designer building temporary buildings,
he runs counter to the rules of a profession being perpetually redefined, going as far as producing and marketing his own software, MadMapper.

Fernand Favier has studied electroacoustic music in Paris conservatory. He has been a member of Roxymore, Father Divine (w/ Mike Ladd). Since 2010 he ‘s collaborating with 1024 architecture on various projects.

 
 

Interview with the artists at NODE15

 
 
 
 
 

Joreg was part of…

 
 

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In 2017, Jeanne has initiated the teens educational program at NODE called Digitale Welten. Representing NODE and the digital arts perspective, Jeanne is working as a dramaturge at Künstler*innenhaus Mousonturm developing the project METAhub in partnership with Archäologisches Museum and Jewish Museum Frankfurt as well as NODE.

As a dramaturge, she is working with different artists realizing projects at Kampnagel Hamburg, Gare du Nord Basel, Radialsystem Berlin and others. Together with the music theater director Benjamin van Bebber, the composer-performer Leo Hofmann and the dramaturge Franziska Henschel, she has initiated the project [in]operabilities investigating the means and aesthetics of access in music theatre and opera and exploring the means for multi-sensual music making.

From 2013-2018, she has been an associated curator with Motion Bank (founded by The Forsythe Company), a project investigating the role of technology and coding practices in the field of contemporary dance and choreography. Her main project was the Choreographic Coding Lab series. As a curatorial team, Jeanne and Alexandra initiate projects that are located at the intersection between the arts and technology such as “A/D/A Tomorrow’s Utopia’s for Today’s Citizens” in Hamburg, a workshop festival on the digitization of urban space. In 2015, they have founded the Creative Technologies Meetup in Hamburg which is currently running in collaboration with Fab Lab Fabulous St. Pauli, Kampnagel and Deichtorhallen.

In 2010, she graduated in business administration, intercultural management and economics at Friedrich-Schiller University Jena and Università degli Studi Roma Tre, Italy. From 2010-2013, Jeanne has been working as a researcher on cultural economics and consulting cultural organizations within the EU-funded regional development project „Innovation Incubator“ at Leuphana University Lüneburg. Jeanne has been teaching a. o. at Leuphana and, in Summer 2016, in the global Goethe Institut online course “Managing the Arts in Times of Transition”.

 
 

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